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Entries in Disneyland (12)

Saturday
Jun262010

Frito Kid and Deeee-licious Fritos!


 
 
Click to hear the Frito Kid speak!

 

From 1952 until 1967, the Frito Kid was the official mascot of Fritos corn chips.  In the 1950s and 1960s, at Disneyland's Casa de Fritos, guests could pay a nickel for a bag of chips to be dispensed by this elaborate vending machine.  Upon inserting your nickel, the Frito Kid figure would come to life, turning his head, licking his upper lip, slowly moving his eyes side to side.  He would call to the unseen miner, Klondike, to send a bag of chips up the mine.  Klondike would respond with an echoey voice sounding like he was deep in the corn chips mine.  A wax-paper bag of chips would slide down the trough.  A number of different audio tracks would play so each customer heard something different from the last.  (Audio samples above).

Frito Kid:  "Someone else knows what’s good.  Another bag of Fritos, Klondike!"
Klondike:  "Okay, comin’ right up. One bag of crisp, salted Fritos."
Klondike even implies that these salted chips are good for you.  He does it to a tune similar to "Jingle Bells":
Frito Kid:  ♫   "Dig those chips, dig that gold, dig those chips of corn."  ♫   
Klondike:  ♫   "They are dark and salted too, Fritos best for you."  ♫   

Other chips were sold in normal, non-animated-vending-machine ways but I can't imagine many kids ever passed up the chance to see and hear the interaction between this miner and cowboy as they deliver chips down a wooden-like mine chute.

Casa de Fritos

Casa de Fritos originally opened the month after the opening of Disneyland in 1955 next to Aunt Jemima's Pancake House in an area called New Orleans Street.  The Frito Kid setup stood just inside the front door.  It was popular but rarely photographed making it one of the most mysterious product-pitching mechanical corporate sponsor mascots of any Disney park, much like the even more mysterious and rarely photographed Florida Orange Bird of the Magic Kingdom.

Casa de Fritos moved northward in July of 1957, deep into Frontierland to a larger location next to Rainbow Caverns Mine Train.  Found in that location now is Rancho del Zocalo Mexican Restaurant. A few architectural remnants still remain.  In the photos above (upper right and lower right) you can see a little of what still exists.  The archway with broken adobe and exposed brick was once the main Casa de Fritos entrance, now an entrance to a dining area.  The adobe/brick oven is still there today but with tables and chairs in front.

When the restaurant moved, the Frito Kid went with it.  As seen in these photos, the Kid was moved from the right of the mining trough to the left.  The mine and mountain were modified significantly, if not completely replaced.  The stand with potato chips and other products did not survive the move.  And who are those guys above the mountain?  Are they in a knife fight?  And why are they there?  I'm dying to know.  Do they have something to do with the bandits from the Frito Kid mini comic books? (Photos further below)

Where is the bag of chips the Frito Kid is supposed to be holding?  Did it fall on the chute?  Is that why there are two bags on the chute?  Did that older kid take it?  How come he sometimes has four fingers and sometimes five?  Was his yellow, curvy hair modeled after a Frito chip??  Is the Frito Kid related to Richie Rich?... or could they be the same person???  So many questions.

"Fritos Served With All Dishes"

A combination plate for a buck?  Ice cream for 15cents?

"Spaghetti and Chili", is that Mexican?

 

 

 

Check out the Frito Kid hamming it up with his Golden Horseshoe Revue friends and "friendly rival", Pecos Bill in this Pepsi-Cola/Fritos promotional piece.

 

Look!  Fritos can be used for bait to lure unsuspecting bandits out of caves.  Who knew?  And what is that cool thing on the left?  Looks like a toy but at second glance you'll see that this statue is rather large.  I'd like one.  And my wife loves old junk like that too... not.

 

It's not easy to forget the Fritos mascot who followed the Frito Kid, the Frito Bandito.  The character was voiced by the great Mel Blanc.  Close your eyes and you might think you are listening to Speedy Gonzales- also a Blanc character.  Some call the Fritio Bandito racist.  I call him hilarious.  How can you not like his mild threats made in the name his love for corn chips?

♫   "Aye, yii, yii, yiiii, oh, I am the Frito Bandito. Give me Frito Corn chips and I'll be your friend. The Frito Bandito you must not offend."   ♫

My dad still loves to sing the sond, accent and all.  Sadly the Frito Bandito never made it to Disneyland (that I know of).

 

In 2007, in celebration of Fritos' 75th anniversary, the Frito-Lay company released limited anniversary edition packaging with old brand and image of the Frito Kid, even though the Frito Kid was not introduced until 20 years after the Frito chips made their debut.  Still fun.

 

 

If you have memories of the Frito Kid machine at Disneyland, do tell!  If any of you have video or photos not seen here, please send.  I'd give my right eye for behind the scenes photos of this thing.

 

Image credits:  Ozarklabrdoodles, Tiki Ranch, Daveland, Miehana, Ladypuppy1939, lplocharsk, Frito-Lay, Jtons7880, and myself.


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UPDATE:

Hoot Gibson posted a comment below that raised my eyebrow.  Does the mountain behind the Frito Kid not look like Splash Mountain???... and the original location is oh so close to that of Splash Mountain....  Hmmmmmm.  What do you think?  (The Splash Mountain model photo is one I recently took at the Opera House and it happens to be the same angle and sort of similar scale).

 

 

Saturday
Jun122010

The Wonders of Nature's Wonderland [ PART 1 ]

[ UPDATED 6-13-10 with audio and additional images ]

A trip earlier this year to Yellowstone National Park inspired me to post about one of Disneyland's greatest retired pieces, Nature's Wonderland. Beware. You may just love Big Thunder Mountain Railroad a little less after enjoying the following.

Listen to this fantastic narration. But watch out! It may get a little sexist along the way:

"We have ‘stocked’ our preserve with over 200 amazingly realistic animated animals and birds - including almost every specie still roaming the North American continent."

 

 


Timeline 1955-PRESENT

1956 Rendering of Rainbow Caverns Mine, Rainbow Ridge Mule Pack, and Rainbow Mountain Stage Coaches
Story

"Here, in a primitive setting that duplicates the remote wilderness country, you may watch beavers, busy as always, on home-building and tree-cutting chores; coyotes and mountain lions; clown-like bears, romping without a care in the world; Olympic Elk engaged in battle for survival, just as it is enacted daily in the natural wilderness."

 

 

 


Rendering by Marc Davis
Photo courtesy of Pete


Rendering by unknown artist

Layout

Mine Train Through Nature's Wonderland overlaid on today's Big Thunder site.

 

Detail of 1962 souvenir mapFull-size map here.

Then and Now


Cascade Peak was removed in 1998 due to structural damage. The broken down Mine Train was removed in a recent Rivers of America rehab.

Photo (left) courtesy of Pete

The front of the rock tunnel is easily visible today as you walk on the trail that connects to Fantasyland just west of Big Thunder Mountain. The back opening of the same tunnel is visible along the east side of Rivers of America. If you pay attention you may see a jumping fish on the north side of this pond, thought sadly it's not often operational these days.

The "Assay Office" building (right) can be seen on the far left of the left photo.

The "Panhandle Hotel" and "Big Thunder Epitaph" buildings (right) can be seen behind the center tree in the left photo.

Live, wild cats hanging at the abandoned tracks! (Several, if not dozens, of wild cats live in Disneyland bushes.) They can occasionally be spotted during the day but more often they come out after hours). I took this photo from the Mark Twain in 2004 and thought to myself, 'if I were to be a mangy wild cat, I'd like to live on the site of an extinct Disneyland attraction too". Static mountain lion figures now sit between the old tracks facing Rivers of America.

The Must-see "Frontierland in Color"... though not all of this video is "in color"

Photos, scans, and graphics by Fritz. Additional photos submitted by friend and fan of the blog, Pete. Other photos provided by Daveland, Calisphere, and Tim's Disney News Archive. Videos originally posted on YouTube by our friend, Rustin.

 

Saturday
May012010

I Miss Paul Frees

Article by Lilly.

I love voice-overs. I love doing them and I especially love hearing really great voice-over talent. Best part of Disney’s recent Alice in Wonderland? Paul Whitehouse as the March Hare. He was crazy. It was awesome. I listen Keith David perform “Friends on the Other Side” all the time. He did an outstanding job with the character of Dr. Facilier.

But of course you know my favorites go back to the early days of Disney. I love those classic voices like Ed Wynn, Andy Devine, and Eleanor Audley. Phil Harris? No wonder Disney used him a million times, he had a great voice. I love how back then they chose incredibly rich and distinct voices. Adriana Caselotti often gets criticized for her cheesy interpretation of Snow White, but you listen to “With a Smile and a Song” and tell me it doesn’t warm your heart a little. That movie wouldn’t be the same without that voice, I wouldn’t change it a bit.

Of all the voices that I’ve ever heard in my life, one stands out as my absolute favorite. The late Paul Frees. Hands down, Paul Frees is my favorite voice actor of all time. Of course, as a young girl, I always loved Frees’ deep and evocative voice as the Ghost Host in the Haunted Mansion, but I also loved his resounding narration in Great Moments with Mr. Lincoln. Then I found out he did several of the pirate voices, including one of my favorites, the auctioneer. I began to be really impressed, but my mind was blown when I found out he did Ludwig Von Drake, too. Is there no end to this guy’s talent? I propose that there is not. Since then, I have adored the man. I have listened and watched everything he’s ever done and have missed him terribly since he passed away November 2, 1986. Disney isn’t the same without him.

Go ahead and listen to some Paul Frees amazingness. The last 4 minutes are Paul Frees in the sound booth recording for The Haunted Mansion. Pretty cool to hear him at work.


And if you would like to see Frees in a live action role, check out The Shaggy Dog (1959) where he plays Dr. Galvin, a psychiatrist.

On October 9, 2006, Paul Frees was honored as a Disney Legend for his contributions to the Disney legacy. Mr. Frees, you are missed!


BONUS:  Paul Frees narrates Disneyland's Adventure Thru Inner Space ride (Paul begins his narration at 2:29)



 

Friday
Mar262010

Walking the “Politically Correct” Line

Article by Lilly

 

As a teenager I would always become enraged whenever Disney would change something that I loved in order to be more “Politically correct.” I always felt that people needed to stop picking at everything, just get over it and let things be.

One of the times I remember being most irritated was the refurbishment of Pirates of the Caribbean in the mid 90s. In this refurbishment, Disney made alterations in an attempt to be more politically correct. One change involved the scene which previously displayed two attractive women being chased by pirates and a third heavier woman is chasing the pirate. The scene was altered in a way that turned the focus away from the women and made the pirates appear to be after food or treasure (depending on the park).

In the same scene a large pirate sat against a barrel exhausted from chasing a woman that he is now trying to find. She is, of course, is in the barrel behind him. Here is his dialogue:

This was changed into dialogue about treasure in one park and food in the other park to match what is going on in the rest of the scene (currently, of course, it is Captain Jack Sparrow in the barrel). Now, I realize that comments like "It's sore I be to hoist me colors upon the likes of that shy little wench" and "I be willing to share, I be," aren’t exactly appropriate, but they are pirates and need I mention the girl in the barrel is giggling? Hardly someone who is being terrorized. I really felt that people were just overreacting.

Well, years go by and maturity begins to set in and I begin to realize just how damaging the effects of racism, sexism, and other prejudices are on our society, even when the intentions are innocent. For example, I hate how we use the term “pimp” or “pimpin’” as something cool. Pimps are really terrible men who use violence and drugs to to lure in prostitutes and keep them in line and more and more are becoming involved in the ever growing business of human trafficking. Not cool. Yet we throw around the term like it is.

 

  

So I’m boarding Pirates with my friend who is acutely aware of negative stereotypes and she asks me if I think it is a problem that our society thinks pirates are cool the way people think pimps are cool. Um....pirates are cool. Okay, she had me. I had to acknowledge that pirates are really terribly violent and self indulgent people that do horrible and unmentionable things. But at the same time, I love my version of pirates. You know the ones that are pirates, but still good men (like Boot Straps Bill). Never mind the fact that it is a completely inaccurate depiction of real pirates.

 So here comes the inner struggle. Do I think Disney really ought to try their best to be thoughtful and respectful to all races, cultures, sexes, etc. and only have the most uplifting material void of anything inappropriate? Yes. Do I want Disney to erase everything that had such content in the past? No. I can confidently say that if Bob Iger announced that they planned to tear down Pirates of the Caribbean due to the inappropriate romanticism of pirates, I would stand in front the the attraction with a very stern expression on my face that read something like “over my dead body.”

The truth is, although we love everything Disney stands for, they make tacky decisions here and there. That doesn’t mean we should try and erase every potentially offensive thing Disney has ever done. So many of those things are part of Disney “heritage” if you will.

I mean take Carousel of Progress for example. I have a friend that won’t ride it because of how derogatory it is towards women. I rode it again with her eyes and the truth is, it is degrading towards women in several parts. Should we tear it out? No. The Carousel of Progress was thought up by Walt Disney himself to show the amazing development of technology through time, one of his passions, and how it affected families and influenced culture during those times. Can’t we just ride it for what it is? It doesn’t mean that we have to think being demeaning towards women is okay, but maybe we can just recognize that wasn’t the intention and move on. 

If we took out everything that contained something inappropriate, we would lose many of the greatest works the Walt Disney Company has created.  Evette is getting seriously molested in this scene. Should they have included it? Perhaps not. Should we ban Beauty and the Beast? No. 

How about Peter Pan and the “What Makes the Red Man Red” scene? I doubt there is a Native American on the planet that feels that Native Americans are being accurately portrayed by lyrics like “When did he first say ‘Ug?’” and “Why does he ask you how?” And I’m sure they weren’t fond of the incredibly stereotyped way of the chief spoke, either. So should we take Peter Pan off the shelves for good? Absolutely not. 

Of course you know where this is going. Song of the South has never been released in the US due to the racially insensitive tone of the film. Now, I may or may not own a copy of this film and I have watched it many times. When I had first seen it, I argued that Disney executives were crazy. I thought there was nothing insensitive about the film. Okay, I’m over it now. Let’s be honest, black people working on cotton plantations in the south just after the civil war weren’t exactly laughing, singing and telling stories. Heck, even in 1946 when the film was released, James Baskett (Uncle Remus) didn’t go to the premiere because Atlanta was segregated and he wouldn’t have been able to participate in any of the events. Okay, it’s insensitive, I get it. But do we have to ban it? Of course there are rumors it is going to be released soon. Those rumors have been floating around for a long time. But really let’s just release it. Does that mean I excuse the racially insensitive tone of the film? No. It just means I can acknowledge it and still appreciate the role the film played in the development of Disney filmmaking as well as finally see the original source for the song “Zip-a-Dee-Doo-Dah.”

All in all, I do hope the Walt Disney Company becomes increasingly sensitive moving forward. It is important. And also, Disney executives if you’re listening...don’t touch anymore of my attractions. Thanks.

 

Saturday
Mar132010

Area Music [ Part 1 ]

Kick your feet up and enjoy this relaxing mix of instrumental background music.  It will make you think you are at Disneyland or Walt Disney World... sort of.

 

20,000 Leagues Under the Sea Area Music

Frontierland Area Music

Main Street, U.S.A Area Music

Vintage Space Mountain Entrance Music

"it's a small world" Area Music

Jungle Cruise Sound Effects

New Orleans Square Area Jazz

Splash Mountain Exit Music


More to come.